Hobden broke open the potato and ate it with the curious
neatness of men who make most of their meals in the blowy open. 'She
growed to be quite reasonable-like after livin' in the Weald awhile,
but our first twenty year or two she was odd-fashioned, no bounds. And
she was a won'erful hand with bees.' He cut away a little piece of
potato and threw it out to the door.
'Ah! I've heard say the Whitgifts could see further through a
millstone than most,' said Shoesmith. 'Did she, now?'
'She was honest-innocent of any nigromancin',' said Hobden. 'Only
she'd read signs and sinnifications out o' birds flyin', stars fallin',
bees hivin', and such. An, she'd lie awake--listenin' for calls, she
said.'
'That don't prove naught,' said Tom. 'All Marsh folk has been
smugglers since time everlastin'. 'Twould be in her blood to listen
out o' nights.'
'Nature-ally,' old Hobden replied, smiling. 'I mind when there was
smugglin' a sight nearer us than what the Marsh be. But that wasn't my
woman's trouble. 'Twas a passel o' no-sense talk'--he dropped his
voice--'about Pharisees.'
'Yes. I've heard Marsh men belieft in 'em.'Tom looked straight at the
wide-eyed children beside Bess.
'Pharisees,' cried Una. 'Fairies? Oh, I see!'
'People o' the Hills,' said the Bee Boy, throwing half of his potato
towards the door.
'There you be!' said Hobden, pointing at him. My boy--he has her eyes
and her out-gate sense. That's what she called 'em!'
'And what did you think of it all?'
'Um--um,' Hobden rumbled. 'A man that uses fields an' shaws after dark
as much as I've done, he don't go out of his road excep' for keepers.'
'But settin' that aside?' said Tom, coaxingly. 'I saw ye throw the
Good Piece out-at-doors just now. Do ye believe or--do ye?'
'There was a great black eye to that tater,' said Hobden indignantly.
'My liddle eye didn't see un, then. It looked as if you meant it
for--for Any One that might need it. But settin' that aside, d'ye
believe or--do ye?'
'I ain't sayin' nothin', because I've heard naught, an' I've see
naught. But if you was to say there was more things after dark in the
shaws than men, or fur, or feather, or fin, I dunno as I'd go far about
to call you a liar. Now turn again, Tom. What's your say?'
'I'm like you. I say nothin'. But I'll tell you a tale, an' you can
fit it as how you please.'
'Passel o' no-sense stuff,' growled Hobden, but he filled his pipe.
'The Marsh men they call it Dymchurch Flit,'Tom went on slowly. 'Hap
you have heard it?'
'My woman she've told it me scores o' times. Dunno as I didn't end by
belieftin' it--sometimes.
Hobden crossed over as he spoke, and sucked with his pipe at the yellow
lanthorn flame. Tom rested one great elbow on one great knee, where he
sat among the coal.
'Have you ever bin in the Marsh?' he said to Dan.
'Only as far as Rye, once,' Dan answered.
'Ah, that's but the edge. Back behind of her there's steeples settin'
beside churches, an' wise women settin' beside their doors, an' the sea
settin' above the land, an' ducks herdin' wild in the diks' (he meant
ditches). 'The Marsh is just about riddled with diks an' sluices, an'
tide-gates an' water-lets. You can hear 'em bubblin' an' grummelin'
when the tide works in 'em, an' then you hear the sea rangin' left and
right-handed all up along the Wall. You've seen how flat she is--the
Marsh? You'd think nothin' easier than to walk eend-on acrost her?
Ah, but the diks an' the water-lets, they twists the roads about as
ravelly as witch-yarn on the spindles. So ye get all turned round in
broad daylight.'
Rudyard Kipling from Puck of Pook's Hill
The wood so softly singingIn a language strange to hearAnd the song it sings will find youAs the twilight draws you near
20130511
Dymchurch Flit
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2 comments:
Can't believe I haven't read this. The sluices and 'diks' remind me of the lost marshlands of Lancashire.
So much marshland has been lost ....
Kipling touches a deep chord here, as he does occasionally in the midst of other stuff which is simply historical re-enactment.
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